barnburner

Winner of the 2017 Antivenom Poetry Award, Elixir Press
Published October 1, 2018

“Hoover exhumes the skeletons buried neatly behind the white picket fences of modern America in a debut that is rife with outspoken disillusionment. … [This] candid portrait of normalized cruelty is likely to get readers to question their own malignant perceptions and passivity in the face of injustice.” [Read the full review]
Publishers Weekly

“Hoover’s debut poetry collection is a fitting attempt to kick down staid, prim, even academic poetic doors.” [Read the full review]
Booklist

 

Now available
Small Press Distribution
Amazon
Indiebound

 

Interviews About Barnburner
The Rumpus
Adroit Journal
Queen Mob’s Teahouse
The Drum podcast
Largehearted Boy “Book Notes”
The Pinch
Rob McLennan
Connotation Press
Tallahassee Magazine

 

Barnburner cover

More Praise:

“What is immediately unique about Erin Hoover’s Barnburner—a poetry collection that is also, comfortably, a collection of essays, or short stories in free verse—is that the narrators in Hoover’s poems are deeply culpable. … Hoover plays the part of both nuisance and destroyer with equal nuance, privileging neither, weighing judgment on both. ‘The wheel stops for us,’ she says in ‘The Valkyrie,’ the collection’s closing poem. There is little doubt who ‘us’ refers to. In Hoover’s poems, we’re all lashed to the same wheel.” [Read the full review]
Entropy

 

“Perhaps more than anything, what propels both of these collections and poets forward is fire. The smoldering fire built of their frustrations as they fight to become full-throated female poets in the millennial age. … Of course Hoover’s title, Barnburner, is the first sign of this theme, and in the front of book an epigraph from the Morris Dictionary of Word and Phrase Origins explains: ‘According to an old story, there was once a Dutchman who was so bothered by rats that he burned down the barn to get rid of them. Thus a barn burner became one who destroyed all in order to get rid of a nuisance.’ But there are so many ‘nuisances’ to name in Hoover’s collection that they overwhelm, and so she puts her own twist on this concept, her goal becoming instead to burn everything for the purpose of saving just one precious thing: the self.” [Read the full review]
Poetry Northwest (reviewed with Analicia Sotelo’s Virgin)

 

Barnburner is replete with powerful and timely character studies. Each character, whether a bad boss, a junkie, a peer on a different path, a boyfriend, or a mugger is examined with the same mordant empathy Hoover is incredibly adept at employing.” [Read the full review]
— PANK

 

Barnburner implores the reader not only to question, but to deconstruct a flawed cultural system.” [Read the full review]
Grist Journal

 

“Even as they explore a wide range of topics—our fraught relationship with the technologies we have created, our desperate source for love in all the wrong places, our self-medication, our work-lives, our hunger for that which outlives us (whether children or creative work)—the poems in Barnburner form a cohesive whole. … In short, these are poems that no reader should miss, poems that make us wince and sober us up.” [Read the full review]
Glass: A Journal of Poetry

 

Read Kathyrn Nuernberger’s introduction

Read more about Erin

Meet Erin on the 2018 Barnburner Tour

Publicist: Sheryl Johnston, All Things Literary
[email Sheryl] [download media kit]