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Advance praise for Barnburner (forthcoming, Elixir Press, 2018):

box 2aErin Hoover’s supple, lucid voice, her storytelling skill, and the sheer linguistic and emotional intelligence of her poems make it hard to believe that Barnburner is a first book. There are poems here about bad jobs, environmental threat, about having or not having children, about sex, violence and many kinds of coercion, and maybe most of all about helplessness and control: who has control, how do we go out of control, how do we find our way back—if we do. A political, personal and timely book.

— Daisy Fried, author of Women’s Poetry

 

box4Tough, sly, and profane in confronting the absurd in conventional white feminine sexual identity, Erin Hoover’s poems chronicle the coming-of-age of a wounded yet increasingly liberated psyche of an ingénue who has survived the wants, disappointments, and outrages of having become a serious and considerable woman. Narrative and irony are her major modes as she navigates through origins in nondescript yet sexualized experience and what she eloquently calls “the hierarchies of the flesh,” cumulatively reaching, poem-by-poem, a Walpurgisnacht of reckoning that takes down the lashes and lies of false female consciousness.  Erin Hoover’s poems burn like freebase on the delicate tissues of female innocence.

— Garrett Hongo, author of Coral Road: Poems

 

box 3Erin Hoover’s debut poetry collection, Barnburner, announces a poet of serious gifts and immense range. With landscapes moving from the hollowed-out towns and broken wilderness of central Pennsylvania to the grinding financial bustle of New York City, Barnburner explores nothing less than what it means to be human in a virtual age, capturing both the deep loneliness and intense connectivities of our present moment. In an era of poetry that sometimes feels built for disposability and diminished attention spans, Hoover is a poet of earnest intellectual weight and historical awareness.

— Erin Belieu, author of Black Box and Slant Six

 

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